Creative vacatons

Creative vacatons
Showing posts with label Northern lights. Show all posts
Showing posts with label Northern lights. Show all posts

Monday, 26 November 2018

Will there be colours?



There will be colours!


«Will there be colours?» 
or variations like
«Will there be more colours?»
«When will there be colours?»
Is one of the most common questions.

And, as tempting as it is to say:
«There are only colours on the VIP-tours,»
and then move on.  But I’ll try to go into it. 

We have all seen these pictures of the Aurora where the green is super-green and, there is red and magenta and pink and purple and yellow. And then the elderly lady from India who is sitting inside the bus because it is so cold outside finally puts down the iPad and comes out to see the Aurora can only see a white cloud looking thing in the sky. 

Colours in the Aurora

There are different colours in the Aurora. Green is the most common and it's caused by plasma (gazes and particles from the sun) hitting oxygen 100 km to 200 km from the surface of the earth. Red is second most common and, is also caused by oxygen, only higher up in the atmosphere. Pink is caused by nitrogen below 100 km. And, lastly the most rare is blue caused by nitrogen ions above 100 km.  

Human Eyes Are Bad at Seeing in the Dark. 

The first thing that we lose is the colour vision. There are two light sensitive organs, photoreceptors, in the back of our eyes: Rods and cones.  Shortly one can say that the rods are do not see colours but, give us night vision and side vision. Cones gives us colour vision and senter vision. The result is that we cannot see colours that well in the dark even if they (the colours) are there. This is manifested in proverbs in several languages:
Norwegian: «I mørket er alle katter grå.»
German: «Nachts sind alle Katze grau.» 
Spanish: «De noche todos los gatos son pardos.»


Even if we CAN see in the dark it takes time to get used to it. There is a muscle in our eyes called the iris sphincter muscle that has to relax and open up so that the light can come through the iris and into the rods and cones so that we can see the little light that is out there. 

As a photography student, I spent a large portion of my time at university in the darkroom. I remember how it would take at least 30 minutes to really  get used to the dark. And the only thing that helps is being in the dark.

On top of that we also know that the night vision gets worse as we age. 

A Camera Sees the Colours That Are There

Different cameras have different sensors and records colours differently 
Different brands and, different models within the same brand will record the same scene with different colours. 
As a Canon user for many years I know that Canons are particularly sensitive to red. So much that I often have to reduce the saturation of red when I take photos of other things, like people. (Especially sunburned Northern-Norwegians). Red is also the first colour that we lose in the dark. 

Then there is the question of white balance.

If you take your photos in jpeg and auto white balance, you still have to make choices of which picture style to choose. So it is not so easy as to «just take a photo of what you see and, not changing it in the computer after.»

To illustrate my point I will show two photographs in three different versions. I will not post a photograph to illustrate «this is what we saw with our eyes.» The reason for this is that peoples night vision varies. And, I don't know what screen you are using to read this blogpost. For example if you are using a Samsung phone, the colours will be stronger and more saturated than they are on my Eizo computer screen. 

This is straight out of the camera.

This is how I interpreted the scene. 





These are the basic changes that I made. Most importantly changing the white balance a little compared to how I shot it. Then I added some contrast by making the darkest tones darker (lowering Black) And I also reduced the saturation.

The «biggest sinner» in post production is probably Dehaze.

Here is a version of the same photo where I've only pulled the Dehaze.

Dehazed in Lightroom. This is NOT what it looks like!




As you can see colours like purple, magenta or red is popping out. 
If this is what you are expecting you will be disappointed. 



Corona example
This is straight out of the camera.
This is how I interpreted the scene. 



As you can see the changes I've made are quite similar. I've increased the contrast in the same way. The saturation is decreased only in two colours.
Dehazed and added saturation in Lightroom. This is NOT what it looks like!


As photographers and humans we like to impress. We mostly show photos from the nights with the strongest Aurora. It can be tempting to overdo it in Lightroom. Sometimes the Aurora is strong and YES we can see many colours. Sometimes she is shy and doesn't want to show herself much. People are different. Some see colours where others don't. 



Conclusion:
Take photos in RAW and don’t overdo it in the post processing.
Stay out in the dark without looking at any light sources for a long time. 
Be happy with the Aurora you can see. 
Eat Silvia’s vegetable soup to get those carrots that are so good for your eyes. 




Sources

P.S.
There is another theory about why we cannot see the colours. Ask me about it on your next tour with Creative Vacations.

Saturday, 20 December 2014

Full moon or no moon. What is best?

One of the most common questions that I get is about the moon.

Normally it goes like this:

"It's best to avoid the moon to se the Aurora. Right?"
or
"I read on the Internet that it's best to avoid the full moon."
or
"We booked our plane tickets so that we avoided the moon. At least we got that right. Right?"

Not right! To ask what is best, no moon or full moon is like asking what is best, coffee or tea. 



Full moon and Aurora.

Saturday, 15 November 2014

The Lighthouse





There is a lighthouse just south of the island of Tromsø.
I've been thinking of it and wanting to take a picture of it for a long time. I've driven by it, seen it, imagined it , for a year. The problem is that most of the time when I go out to take Aurora photos, I'm not alone, I'm with a group of people. The places I choose are chosen because there can be a bunch of us together and we can take photos without us actually being in each other's photos.

Thursday, 13 November 2014

Update! two new versions. New Music! Epic night and timelapse video

Sometimes it is nice to be flexible. Actually most of the time it's nice to be flexible. The weather turned out pretty bad on Monday and on top of that the newspaper called me to shoot video of the prime minister of Norway who was meeting local heroes from World War 2. After e-mailing the clients we decided to go on Tuesday instead. I got my time with the prime minister.

Tuesday night turned out to be the best night so far this season, one of the best shows that I've ever seen.

I'm first and foremost a photographer. I'm definitely not a musician. After having the video out there for a few days I've gotten some feedback about the music. Some like it others don't, and I've had some suggestions about what to put instead. Please tell me what you think.
















Friday, 25 April 2014

Searching Mr Kreutz – The end of the season

The season is over. The last tour on the night  of the year turned into an epic adventure that made me feel like I was in some Joseph Conrad novel searching Mr Kreutz. If you haven't read "Heart of Darkness" yet, I suggest you use the time before the next Aurora season to do so. For me it's there on the list of "must read." Together with "Catcher in the Rye" and "Crime and Punishment."

March 24 the weather was horrible in Tromso so we drove inland. It was horrible in Skibotn and the Skibotn valley too. At the border to Finland it was so much wind and snow that I could only see two meters in front of the car. Things were looking bad and I think that everyone in the car was expecting to see nothing but snow and clouds. I was worrying that the road may close. So that we would be stuck in No Man's Land (aka Finland). A few kilometers passed Kilpisjärvi I stopped the car to have a look outside. To my surprise I saw a completely clear sky. Lots of stars, and some clouds by the horizon to the west, were we came from.






We found a quiet place with good photo possibilities, and waited... and waited. Then as if it came out of nothing it was snowing. Snowing!! We had to go further in. We repeated this several times. We drove east, the snow caught up with us. We went further... Maybe Mr Kreutz and Mdm Aurora was waiting around the corner? Waiting to tell us that IF is the middle word of LIFE.


Aurora came and told us we were worthy of her presence.


A few nights later, March 27, we were celebrating the end of the season with another guide. Looking out the window we saw someone waiving us good bye. 


Good bye! see you soon!


After being used to go to bed at 6 am and waking up at 2 pm for the whole Aurora season, it was quite a shock for me when Silvia woke me up at 10 am the next morning. "you have to get used to it" she said. I did. And I had to start post production on her photos that she was going to exhibit. Ain't no rest for the wicked!


Could this be Mr Kreutz' daughter?



The photos took me back to the summer and the work Silvia had done with a very talented and expressive young dancer in Ersfjordbotn. Ersfjordbotn is one of my favorite places for Aurora pictures, but it turns out that it's also a very good location for dance pictures. 
Silvia had an exhibition in a gallery called Small Projects. She did it together with another cosmopolitan South American artist: Maria Eugenia Poblete Beas.
The exhibition was a success! There were lots of people on the vernissage. 







Friday, 28 February 2014

Driving to Finland and back, only to find Aurora in our back yard.

Yesterday was one of those challenging nights. Clouds and more clouds, and some snow and rain.
Everywhere.
I talked to the local weather guy and he said my best chance was Skibotn or Kilpisjärvi. So we drove to Skibotn to find rain, then to Kilpisjärvi to find clouds. Finally we gave up and headed home.

Just when we made the last turn, where we could see our beloved Tromsø, we saw a light on the sky. And no it wasn't a cloud lit by the city lights. It was HER! Lady Aurora! We stopped at Berg just outside town. We had a show that lasted 45 minutes.

Troll marshmallows makes an excellent foreground. 


And so does trees.




Monday, 10 February 2014

The Aurora Portraits



As a service to those who join our tours I always try to make portraits of everyone who wants. Sometimes the conditions don't allow it, and sometimes the photographers on the tour are too busy taking their own photos. But very often it happens. I don't take the photos to show off on Facebook or here on the blog. I do it as a service to everyone who wants to come Aurora chasing with us.


Often there are couples who are on their honey moon. 



Or couples who are just really sweet...





Or a radio star from Ireland.


A series of family portraits:





And this gang from India who cam with me in spite of horrible weather forecast. The forecast turned out to be wrong and we enjoyed a very nice show. This is one of the biggest groups we do, and only on special request. Normally we only have small groups. 


 A very busy photographer.

And people taking a break and just watching the sky.



The photos are done in a very simple manner. I just use one flash, mounted on the camera. Yeah I know it's not very "professional", it's down and dirty press-photographer's style. But hey, that's what I am when I'm not doing Aurora tours. The portraits are memories for the ones who come on these trips. My main focus is to help the client get good photographs, and to experience the Aurora. That's what important. 

The way to do these photos is to use a flash to light up the face of the person, and then to let the time go so that the ambient light in the background comes in. Thus the exposure times are fairly long for portraits. Often 10 - 15 seconds. It is important to stand still all the time during the exposure. I could have gone for a shorter time, but then the ISO would have been too high, or the depth of field too short. To learn more about flash and ambient light check out Strobist, or come to one of my tours and practice for yourself.



Saturday, 25 January 2014

Guess What Waited for Me When I Got Home in the Morning?

The last week has been great. I've been shooting time lapses, and have lots of pictures to process. I think I have grown a little spoiled. Aurora has been dancing non stop this week, the weather has been very nice; cold and clear. 

Last night we waited until 9 pm until we saw her. Aurora danced for us for about 30 minutes before she almost stopped. 



 There were still activities but, very little.


We waited and waited. At 12:30 am, my guests were cold enough and wanted to go back. So we did. We were a short hours drive from Tromsø. After dropping the guests at their hotels, I went back home. Guess what I saw when I got out of the van at home at 2:15 am? You got it: Aurora. She was dancing. Partying. telling me who's in charge.

Aurora seen from my drive way.


Corona 
Corona saying good night.


Tuesday, 31 December 2013

Happy New Year! Happy Clear Skies!

Happy accident. A car lighting up the foreground and making flare in the lens.
Luck and chance is and has always been a part of photography.

2013 has been a remarkable year for us at Creative Vacations. We have seen a lot of Aurora, been fighting to find a clear sky, we have increased the number of tours and the number of clients. Vidar has recovered from his broken leg, Silvia is doing more art and she is now preparing two exhibitions.

Aurora dancing for us on the last tour of the year.


I don't want to bore you about stories about bad weather and the search for clear skies. I know you all want to see the Northern Lights not a clear sky. But here's the thing: If we find a clear sky; there's a 80-90% chance to find the Northern Lights. So I and the other Aurora guides drive around searching the clear sky. The Northern Lights take place 180 km to 500 km up in the atmosphere. So if we drive one hour to the west or one hour to the east, doesn't matter for the Northern Lights, but it makes an enormous difference for the weather. Sometimes driving just ten minutes makes all the difference.

Tough weather!


How do we find the clear sky then. For me it's a combination of forecast and local knowledge. I'm from a family of fishermen. My family has lived here for generations. We have a profound interest in the weather. Even more than the average Norwegian.



Do I always find clear skies? No.
Do I often find clear skies? Yes.
Do I find clear skies when the others don't? Sometimes.
Do others find clear skies when I don't? Sometimes.
Is local knowledge important to find clear skies? Yes.
Is luck  important to find clear skies? Sometimes.
Can you trust the forecast? No.
Can you trust the forecast more than local knowledge? No.
Do I find a clear sky when the forecast tells there is none? Often.

December 27th.

December 29th.


December 30th.


Since we came back from spending the Christmas in London we have been out four nights. On those four nights the forecast has predicted overcast. Still we have had clear skies and Aurora on three out of four nights. On the night of the 29th, the forecast predicted a window in the clouds around midnight, it started raining instead. The day after on the 30th, it looked so bad in the afternoon that I offered the clients to cancel. None of them did, and it turned out to be super clear and super good Aurora. That was the best way for me to end 2013. Not let us all make 2014 the best year ever!